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Memoirs of a Geisha (2005)
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Chiyo’s eyes have seen much heartache: Her mother on her deathbed. Her penniless and grieving father brokering a deal to sell his children. Her screaming sister being suddenly ripped from her arms because she’s not deemed worth the investment. And this is all before Chiyo celebrates her 10th birthday.
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Memoirs of a Geisha is based off of the novel of the same name. The movie was filmed in southern and northern California and in several locations in Kyoto, including the Kiyomizu temple and the Fushimi Inari shrine. Memoirs of a Geisha tells the story of a young girl, Chiyo Sakamoto, who is sold into slavery by her family. Her new family then sends her off to school to become a geisha.
This movie is mainly about older Chiyo and her struggle as a geisha to find love, in the process making a lot of enemies. The Japanese release of the film was titled Sayuri, the titular character’s geisha name.
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Arthur Golden’s novel “Memoirs of a Geisha” is an addictive read: an involving, almost Dickensian tale of a young woman’s rise from poverty in a fishing village to fame as a Kyoto geisha in the years before World War II, and her subsequent fall in fortunes during the war. Told in an engaging first-person voice, its details are rich, as if a decorous hand is raising a silk curtain to show us a bygone era. The film, long in the making, is often ravishingly lovely, which befits a book in which lavish descriptions of kimonos bloom like flowers throughout the story.
But while director Rob Marshall knows what he’s doing with color and spectacle so deftly displayed in the dizzying “Chicago” , his hand is less sure with drama. The tone too often turns shrill and melodramatic, never quite living up to the beauty of its surroundings. This is the rare studio film that’s centered on women, and Marshall has cast three powerhouses in his leading roles: Ziyi Zhang as the title character, Sayuri; Michelle Yeoh as her mentor and teacher, Mameha; and Gong Li as her scheming nemesis, Hatsumomo.
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The film focuses on two groups of students, dividing them up into those that participate in after class activities and those that do not. By all accounts things are going well for Kirishima. He is star of the volleyball team, he is dating Risa Mizuki Yamamoto , and his best friend is Hiroki Masahiro Higashide , the next best athlete in school.
Profile. Name Suzuka Ohgo; Japanese: 大後寿々花 (おおご すずか); Birthdate: August 5, ; Birthplace: Kanagawa, Japan; Height: cm; Blood Type: A.
In pictures: Memoirs of a Geisha. Back in the s, Oscar hopefuls had a yellowy glow to their film-stock; now the colour of Oscar is mineral blue. Serendipitously, this is the exact same shade as the unusual eyes of our hero, young Chiyo Suzuka Ohgo , a nine-year-old Japanese girl from a poor fishing village. Chiyo’s mother is dying. In Japan, all is tumult: it is raining, the sea is crashing, the camera wobbles. A strange man arrives.
Chiyo’s father is crying. He weeps for Chiyo and her elder sister, both of whom he has decided to sell to the strange man.
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Suzuka Ohgo Birth Chart Horoscope, Date of Birth, Astro, Astrology, Biography, Wikipedia, Birthday, Leo Horoscope of Celebrity, filmography , Movies.
Without its mysteries, it cannot survive. Maybe not so much. Surely this is the most obvious commercial strategy regarding Memoirs of a Geisha , to pitch it as a tale of delicate, thrilling secrets, a saga of women who are trained to be art for the pleasure of men. And yet, directed by the dramatically unsubtle Rob Marshall, who brought Chicago pounding into theaters three years ago, the film is a series of set pieces, gorgeous certainly, but also predictable and unwieldy.
This despite and because of the presence of the glorious women actors at its center, including Zhang as the youngest geisha, struggling to fulfill a seeming destiny and live a life of her “own” the term is only relative here , Michelle Yeoh as her mentor Mameha, and wondrous Gong Li as her rival Hatsumomo. The women are stunning. They are also Chinese, which makes their casting at least awkward and tone-deaf, and, according to Japanese and Chinese community groups, offensive historical tensions make the presumption that all “Asians look alike” troubling in specific ways, no matter that, as Marshall has said, he cast “the best actor for the role”.
These substantive concerns are only exacerbated by others. Memoirs of a Geisha thwarts itself persistently, and not only because it’s so in love with — not to say it fetishizes — the colorful silks and elaborate makeup that decorate its titular character and her “sisters. Sayuri is desirable for any number of reasons.